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Post by mscupcke on Jul 18, 2005 15:21:49 GMT -5
ok... so i went to see this movie over the weekend, hoping that it wouldnt just be another cheesy recreation of the gene wilder classic of the past. welllllllllllllll its not the same, which is lovely, BUT the oompa loompa (and i use the term singularly on purpose) was very scary. it was just ONE guy, digitally recreated hundreds of times. that really pissed me off. PLUS the oompa loompa songs were HORRIBLE. then tim burton went and changed the end, so it focused on some kind of insane father complex on the part of willy wonka... that was a totally useless plot twist, it was fine without it.
ok, so thats my opinion on it. i did like it, i just thought that parts of it were really disappointing....
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Post by deathscythe on Jul 24, 2005 17:50:00 GMT -5
Fuck willy wonka and the chocalate factory i perfer the OLD
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Post by mscupcke on Jul 25, 2005 19:27:39 GMT -5
i would think it would be hard to fuck a chocolate factory... but i guess thats just me.....
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powerbgg
Since I'm on the guest list... out of the way NEWBIE!
Posts: 104
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Post by powerbgg on Aug 9, 2005 12:45:20 GMT -5
The Dark Knight's origins have been expanded and reinvented over the 65 years since he first appeared in the pages of Detective Comics. The current canon is far more elaborate - and far more exotic - than anything co-creators Bob Kane and Bill Finger could ever have imagined.
Young Bruce Wayne's pampered life is shattered when he witnesses the murders of his ultra-wealthy parents, whose Wayne Industries is the only thing that keeps the economic engine of decaying Gotham City going. Their deaths - and a terrifying incident involving bats - leave Bruce damaged, lonely and seething with rage. Fifteen years later, college-graduate Bruce (Christian Bale) abandons the world when his parents' killer is paroled in a crooked deal. Wandering the earth, engaging in petty crimes, Bruce eventually finds his way to central Asia, where he's bailed out of prison by the enigmatic Ducard (Liam Neeson), member of a secret cult of ascetics called the League of Shadows, who fight the criminal underworld through intimidation, deception and kung-fu fisticuffs. The League, headed by steely-eyed Ra's Al Ghul (Ken Watanabe), has forged Bruce into a one-man ninja squad, but they part ways - rather violently - when Bruce realizes that, while he sees vigilantism as a way to shore up the gaps when the authorities fail, the League sees society itself as inevitably corruptible - and if a much-needed purge kills innocents, so be it. What's worse, the League has been planning to use Bruce to make an example of the most corrupt city of the Western world - Gotham!
Escaping by the skin of his teeth (after an abbreviated explode-a-thon that might have ended any number of lesser movies) Bruce returns to Gotham and sets out to create an inhuman alter-ego that will strike terror into the hearts of those whose only language is fear. Along the way, he recruits a small circle of conspirators: Alfred (Michael Caine), competent manservant and trusted father figure; Sergeant Gordon (Gary Oldham), the last honest cop in Gotham; Lucius Fox (Morgan Freeman), head of Wayne Industries' under-appreciated "applied sciences" division; and Rachel Dawes (Katie Holmes), a childhood friend who now crusades as Gotham's spunky Assistant D.A. He also collects enemies, including Richard Earle (Rutger Hauer), the CEO of Wayne Enterprises, who resents the return from presumed death of the company's biggest shareholder; and Carmine Falcone (Tom Wilkinson), a crimelord who sees Bruce as just another spoiled prince with everything to lose.
The good news: Batman Begins doesn't suck; in fact, it's pretty cool. The haunting ghost of so-called director Joel Schumacher has been exorcised once and for all. And Marvel Comics' impressive domination of the comic-to-movie market seems to be at an end. Batman Begins is grim, brooding and leisurely paced (it's perhaps an hour before we see any pointy-eared masks). Gotham is a looming, claustrophobic metropolis; part New York City, part Singapore, with a mixture of classic and futuristic architecture. Particularly refreshing is the way writer David Goyer has rooted the Bat-tech in present-day, recognizable engineering. The Bat-suit is a fancy Kevlar combat armor prototype, and the Batmobile is a muscular Humvee/motorcycle hybrid with an artificially intelligent onboard computer.
Christian Bale is a perfect choice to don the new cape and cowl. He's buff, too - and anyone who saw him as the 120-pound psychotic in last year's The Machinist will be amazed at how beefy he is as Bruce Wayne (rumor has it Bale gained over 90 pounds in a matter of months!). Alas, his supporting cast is a mixed bag. Michael Caine, Morgan Freeman, Liam Neeson, Gary Oldman - what's not to like? These are master thespians all, and they nail their respective roles, and appear to enjoy doing it. Katie Holmes, on the other hand, is unconvincing as attorney Dawes; indeed, most of the time she looks as if she'll suddenly sit upright and realize she's late for cheerleading practice. Cillian Murphy (wonderful in the zombie flick 28 Days Later) is utterly miscast as Dr. Jonathan Crane, head psychologist of Gotham's Arkham Asylum who moonlights as the sadistic Scarecrow. We're supposed to believe that this fresh-faced kid is a revered medical specialist? Please. Perhaps he and Orlando Bloom can co-star in The Opposite of Charisma.
The script stumbles here and there, as well. Key to understanding Bruce Wayne's anguish is understanding the loss of his parents; yet, the ridiculously saintly caricature that is Thomas Wayne, and the nonentity that is Martha Wayne, hardly seem like a loss. The movie's big finish features the lamest mob-panic in cinematic history. And why is it that, after convincing us of the plausibility of the Bat-gear, we're shown bad guys sitting astride a massive microwave generator (that's supposed to remotely vaporize the city's water supply), yet their own bodily fluids remain unboiled? Hmmm. Saying it's "just a comic book movie" is no excuse.
Still, Batman Begins salvages the franchise from the embarrassment of Schumacher's Batman Forever and Batman and Robin (can we just forget them - please?), and it holds its own against the Burtonian installments (Batman and Batman Returns). Now, if next year's Superman Returns can hit one out of the park, DC will be back in the cinematic game!
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powerbgg
Since I'm on the guest list... out of the way NEWBIE!
Posts: 104
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Post by powerbgg on Aug 9, 2005 14:59:32 GMT -5
Still, Batman Begins salvages the franchise from the embarrassment of Schumacher's Batman Forever and Batman and Robin (can we just forget them - please?), and it holds its own against the Burtonian installments (Batman and Batman Returns). Now, if next year's Superman Returns can hit one out of the park, DC will be back in the cinematic game!
IP:
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masterbuu
Realized bots are controlled by humans after trying to cyber with a cyborg.
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Post by masterbuu on Sept 10, 2005 3:30:22 GMT -5
they fucked up the new movie of charlie and the choco factory i HATED it. skrewed the migdets from there jobs
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Post by Admin on Sept 10, 2005 4:00:17 GMT -5
I still haven't seen the new Willy Wonka Movie. I heard that that midgets fucked it up, but then again, the oompa loompa's were always pretty lame.
Should have just had monkeys.
Or goblins.
Or goblin monkeys.. Oooooh. Willy Wonka and the Factory of the Chocolate Goblin Monkeys.
Now there's a Box Office Hit.
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Post by mscupcke on Sept 10, 2005 11:22:23 GMT -5
ok, even i could get behind goblin monkeys, cuz the ONE freakin oompa loompa was insanely lame and scary...
can i ask something though? whats with the weird rant about batman?
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